Tech in Education!

Month: March 2025

Educational Technology Project!

Group: Aubrie Hunter, Brooklyn Baker, Charlotte Berry, Erica Smith, and me! (Tess Macdonald)

For our group, we decided to explore how technology can assist with reading and writing. The podcast we created, along with a transcript, is below. Enjoy!

Transcript (first initials used to differentiate speakers)

C: Hello, I’m Charlotte,

E: I’m Erica,

T: I’m Tess,

B: I’m Brooklyn,

A: and I’m Aubrie. 

C: Today we will be explaining our tech project where we focused on the most accessible and best resources for students with learning disabilities or ELL students. Our technology inquiry question is: What are the best technological platforms for students struggling with reading? 

E: Every elementary school classroom will be filled with English language learners (ELL’s) or students with IEP’s. While some students will have diagnosable IEP’s, many others could probably qualify for one but have not had a psychological assessment done for various reasons or are on waitlists, which can be years long. There is a mismatch in the amount of students needing extra help and the number of teachers and support staff available in the classroom to provide this specialized assistance. With recent surges in technology use, attention has been turned to which technologies can be used in the classroom to provide help for students at times where teachers are not available.

E: Reading and numeracy are widely considered the two fundamental skills that children are expected to gain in elementary school, as these skills will set them up for success in high school and beyond. For this project, we decided to focus on technologies we can use to support our students’ literacy abilities in the classroom. Reading is an important skill for children to learn because it can improve critical thinking skills; build vocabulary; enhance conversational skills; role-plays empathy and perspective taking; strengthens writing, language, and communication abilities; and can even reduce stress, build memory, and help with sleeping. While some people light up when you ask them to read a book, reading can be a very daunting skill for some—especially if they have a learning disability or are not fluent in English. In an elementary school classroom, where so much of a person’s academic and life successes are influenced by reading ability, how can teachers feasibly help struggling students alongside meeting the demands of the curriculum and the rest of the class? 

C: Text-to-speech software is a good way to engage struggling readers in the classroom. Many students’ reading difficulties come from having trouble staying focused or processing large chunks of text, as well as not understanding how to decode a word. Text-to-speech software will be useful for students with dyslexia and/or ADHD, in addition to English language learners. 

C: Now we’re going to talk about some other resources recommended. So to start, we looked at some extensions and apps such as Ghotit, Learning Ally, Speechify, and Focus at Will. Speechify is an app and Chrome extension that reads any text. It has over 200 voices, can clone your own voice, has 60 language choices, can increase the speed of what is read, can provide summaries using AI, and is able to scan texts using a phone and convert to a PDF that is read aloud. Ghotit performs grammar and punctuation corrections. Learning Ally produces a library of educational audiobooks. Focus at Will provides playlists for people with ADHD to listen to while trying to focus, and then has a timer function, and tracks productivity. Google Read and Write helps read things out loud, can form a vocabulary list of unknown words, provides photos of unknown words and descriptions, proofreads work, can translate words, and can be used to highlight documents. 

C: Some other resources are Otter.ai, which is a recording and transcription service. To use, you open your web browser and press record and then Otter.ai automatically transcribes what is being said. You can then organize and edit the transcriptions and recordings. Google Docs also has a dictation mode as well as Microsoft Word to allow for speech-to-text if students have difficulty writing. Microsoft Edge’s Read Aloud allows you to change the pace and sound of the reader’s voice, enlarge text, or increase space between text. There are also features in Apple products that are unknown to many people which can help as well. For example, on Apple devices, there is spoken content for Macs and iPads accessible, which has your device speak text on the screen whenever a keyboard shortcut is used. You can also customize the keyboard shortcut, have the text highlighted as it is read aloud, and then change the speaking rate.  Additionally, most web browser support some type of reader mode which simplifies the web page by removing unnecessary images, makes the text uniform, and changes the background and foreground colours. Microsoft Edge has immersive reader, Apple Safari has reader, Firefox has reader view, and Google Chrome has reading mode. All of these provide text-to-speech, text reformatting and colour controls. Turning on reader mode may help simplify what needs to be read and helps with distractibility too. 

A: An area that I am passionate about but feel has received very little attention throughout our program is the inclusion tools we have access to for our English as an Additional Language Learner students. Although the first translator that often comes to mind for people is Google Translate, this service does not use proper grammar, idioms, or tense. Instead, the best free service I recommend to other educators to use with EAL students is DeepL, which is a highly accurate translation and dictionary platform that helps students understand new vocabulary and grammar structures. There are many reasons why I recommend DeepL as a suggested resource for teachers.

A: For starters, DeepL provides more contextually accurate and natural-sounding translations, making it more reliable for academic use. It captures nuances in language, helping students understand not just the words, but the meaning behind them. DeepL allows students to click on a word within a translation to see multiple possible meanings and examples in context. This helps students Learn how a word is used in different situations, choose the most appropriate translation, and develop a stronger understanding of English vocabulary. DeepL also edits grammar and sentence structure, which helps sentence construction over time. In regards to implementation in the classroom, DeepL helps students translate classroom text into their native language, check their English writing, and rephrase sentences. DeepL can also be combined with speech-to-text tools, and teachers can pre-translate difficult vocab.

B: Accessibility tools, like text-to-speech, can help empower students and give them confidence when engaging with written texts, allowing them to better connect with the content. Text-to-speech software removes the barriers students with learning disabilities may have when it comes to reading, ensuring that students are not barred from learning at the front door. Keeping tools like text-to-speech easily accessible to all students in the classroom ensures that students with learning disabilities do not feel singled out in reading tasks and are equal participants in any class learning. When all students are able to easily comprehend text material, it becomes easier to facilitate inclusive class discussions, which are key to enhancing student understanding.

B: However, a potential con to these reading accessibility resources is that if students become too reliant on using them, they might not ever fully develop their reading abilities. Technological aids for reading should be used as a tool to supplement reading abilities, rather than a replacement for reading skills. It is also important to note that, while students can use this to help them engage with content, they should still be given the time and support to grow their reading and comprehension skills without the use of text-to-speech. Teachers should pick when the use of text-to-speech is appropriate in classrooms based on the current learning objectives. If the focus of the reading is the content within it, say it’s a science or social studies text, then students can use text-to-speech to help them better understand the content. However, if the focus of the lesson is to work on the reading and comprehension skills, then the use of text-to-speech will only impede students from practicing. 

T: So now we’ve talked about what tools there are out there, now let’s talk about actual implementation of these tools in a classroom. So, in my classroom, students used text-to-speech software, specifically Google Read & Write, to help write their creative writing stories. While this made the recording of their work faster, as many had just learned how to type, there were challenges with the tools presented and their implementations. The dictation would sometimes record homophones of words, it could not pick up made-up names (which was important for fantasy stories), and it would often add or remove punctuation when not wanted. While these softwares were designed to make writing accessible, the students weren’t seeing their stories written on the page. And for those who couldn’t yet read fluently, they weren’t able even to see the errors and correct them themselves. In addition, for students who have accents or speech impediments, the dictation tools pose even more of a barrier. 

T: These made it difficult as a teacher, or me as a student teacher, to see where the students’ progress was: were errors in the students’ work from the students themselves, or did they come from the technology? In order to finalize the proofreading of these stories before they were printed, we found it necessary to sit with the students and have them individually dictate the story they had hand-written, so that we could live-edit the dictated document. This additionally frustrated students, as they felt that all the work they had put into typing and dictation was completely overwritten. When speaking to the teacher about the use of dictation tools like Read & Write, she spoke about how it was intended for accessibility (and in many situations was accessible). However, it often made the tasks more inaccessible through all these barriers. This does not mean that these tools should be removed or ignored completely, but instead it opens a conversation for how we can better ameliorate these tools to be improved for accessibility in the everyday classroom.

T: Moving from writing, a reading accessibility tool I observed was the Epic Books website. This was a combined eBook and audiobook resource bank, where students could both read the eBook and then listen to the audiobook at the same time. I mainly observed this tool being a supplement to silent reading—allowing students who were not yet able to read independently to still engage in the solo silent reading and not feel left out. Providing the combination of the eBook and audiobook meant that the reading was not completely overwritten. Instead, the tools acted as a supplement and made the reading more accessible to students of all reading levels. Combined, this experience showed how accessible reading and writing tools can be implemented in the classroom—as well as what questions we should ask of the tools in order to improve them to support all students in the best way possible. 

A: To sum up, technology has made reading more accessible for all students, regardless of their challenges. For students with dyslexia, text-to-speech tools like NaturalReader, Microsoft Edge Read Aloud, and Speechify provide much-needed support. For ADHD, tools like reader mode and transcription services like Otter.ai help with focus and organization. For EAL students, speech-to-text tools like Google Docs dictation, DeepL, and translation tools help improve both writing and comprehension skills. With so many tools available, students can find support that meets their needs. We encourage you to explore these options and see how technology can make reading easier for everyone!

Reflection #5: Edu-camp-tion

For this post, I wanted reflect on the EdCamp activity we did in class. Firstly, I found the activity to be a great way to engage students and encourage reflection about 1) the broader topic, 2) what factors make up the theme, and 3) the nuances of those factors. For example, from just our class with the theme of education, we had discussions about parents, class size, and (the group I joined) school gardens.

From upklyak on Freepik

The format of the EdCamp (voting on topics and then splitting into groups of interest) made it so that, even if the topics chosen weren’t those a person suggested, they still had a high chance of participating in a discussion that interested them. In addition, narrowing down the topics meant that similar questions could be combined into one discussion—deepening the range of discussions to be had in groups.

In our group, we explored the topic of school/class gardens. In our group there were people with a wide range of experiences and interests regarding gardening. From professional landscapers to home gardeners, everyone provided a unique perspective. As someone who doesn’t have much practical gardening experience, but is interested in plants and the environment, this was the perfect opportunity to learn more, ask questions, and add suggestions. Together, we discussed barriers holding back the creation of school gardens, some possible ways to overcome these, considerations when implementing gardens, and also the benefits that such installations would have in schools. Some examples of topics were native plants, deer and insects, food programs, and inter-grade activities. Coming in with different backgrounds, interest levels, and experiences, we had a more-than-easy time keeping discussion going, and engaging, the whole time. The only amelioration I would make to this activity was that, as we were spread out, it was difficult to join other topics (but, I was more than happy in mine, so it worked out!).

The Artsci Agora is a semesterly event where we bring together Artsci students and profs to have informal and engaging discussions outside of class. Each Agora is centered on a pressing issue or other relevant theme. This semester we will be speaking on the future of education. Dr. Clark has been kind enough to share his essay for the New Centennial Review, Abolish the University , as an optional reading prior to the event. He will be joining us us along with Prof. Jordan, Dr. Kroeker, Dr. Marquis, Dr. Savelli and (briefly) Dr. Wilson. At the start of the event we will also be viewing Dr. Giroux’s interview for the CCCB to kick off discussion. As your student program advisors, we are excited to bring this Artsci tradition back in the high resolution format of ‘being in a real physical room together’. Tickets are in our bio and they are FREE!

@sassmcmaster on Instagram (29/11/2021) Full post here

In my undergrad program, we had something similar to EdCamps, called “The Agora.” The above quote and link is from a post on the Society of Arts and Science Students’ Instagram promoting the 2021 winter Agora. These events centralized around a certain theme (for the one above, it was “the future of education”). Then, professors and students interested would attend. The event would usually begin with an introduction or more context—often in the form of a presentation or group discussion. Then, papers with subtopics relating to the main theme would be situated at each table; participants (students and faculty alike) would transition between tables and discuss the topics. So, similar to an EdCamp, minus the crowd-sourcing of topics at the event (from memory, the students organizing the Agora would send out requests for themes and subtopics leading up to the event, but they would be determined by the start of the event.

I liked the EdCamp’s format in making engaging with the topics feel more accessible. While I enjoyed the Agora I attended, it was sometimes a little daunting joining a table and not knowing the subtopic before. Having the crowd-sourced and voted in subtopics meant that I felt more connected to all the themes, and would have happily attended any group.

Continuing EdCamps!

Leaving class on the day of the EdCamp activity, I was awash with ideas for how to bring EdCamps into my future teaching practices. One I can see immediately is bringing them into my work at Shad Canada. Shad is a month-long summer experience where part of it involves students working in teams to create a product/service/business/solution to a monthly theme.

For example, the 2024 theme was: “How might we help people in Canada integrate affordable and reliable green energy sources into their everyday lives to create more sustainable communities?”

As a PA (program assistant), my part of this project has been working with the groups of students to help support their progress, to provide inspiration or mentorship, and to engage their learning in relation to all the subtopics and nuances of the theme. From our experiences in class, I believe running an EdCamp would be an amazing idea to encourage students to consider all parts of the theme; the group sourcing and voting exposes students to those sides of the issue that they may not have otherwise. Introducing a theme-launch EdCamp will definitely be something I suggest when I next return to Shad!

Inquiry #5: Taking it Beyond

For this inquiry post, I wanted to focus on the “how” of getting a piece of writing into the world. As someone who has been doing creative writing as a hobby, I’ve recently been practicing sharing my writing—both for myself, the practice, and also to keep myself accountable for stretching the writing muscles. For this part of the inquiry, I plan to both summarize the ones that I’ve already been a part of, while also exploring how books get to the publishers. (To continue beyond the list of publishers discussed last post).

1. Personal Sites!

A graphic I made on Canva for the blog my friends and I share.

This post you’re reading is actually one of those ways! Starting a blog or personal websites an accessible and easy way to share writing. Whether for documentation, portfolios, or just for fun, these online tools allow work to reach a wider audience. In addition, design tools (like WordPress, WIX, or Substack) make designing these sites and communication to readers easy!

In undergrad, my roommates and I started a shared personal blog on Substack (called “The Big Comfy Couch“) where we all post our thoughts, media reviews, life updates, or any writing we feel like creating. This has been a great way for us to keep in touch after moving away from each other following graduation. In addition, having the blog has encouraged me to keep up writing for fun; sharing writing simultaneously acts as an accountability measure.

2. Literary Journals or Magazines!

Literary journals and magazines usually offer publishing for first-time authors; less length than full novels (usually), they are places where short stories, poems, art, and reviews all come together. Journals and magazines can be online (many are these days) or physically published. My first exposure to literary magazines was writing for, and eventually editing, for my undergraduate program’s creative writing magazine, The Melange. I loved how these magazines were a list of styles. Differing from working on a personal blog, these also exposed me to working with an editor and refining my work with support.

Instagram account for The Melange.

My friends from undergrad, Amarah and Dani, had some of their work published recently by a both online and in-print literary magazine called Junq. I actually have a physical copy of the journal with Amarah’s screenplay in it! Reading a physical print of a friend’s amazing work was an amazing feeling. In addition, these joint publications open up readers to unique and cool art. Especially for independent publications based in your city or in your school, seeing what is around is both entertaining and inspiring.

3. Traditional Publishing!

Traditional publishing is the one part I had the least experience with. From my explorations, theres two main ways to submit to a traditional publisher: with or without an agent. Smaller or independent publishers will usually accept un-agent submissions, while larger publishers usually require the support from an agent. As I do not have experience in this area, I used this inquiry to search out resources from those either who have been published, or those who are in the publishing/agent industry.

In the above video, Alyssa summarizes the steps in getting published by a larger publishing company. This usually involves sending query emails to agents and working with them before they send your work to a publisher.

For un-agented submissions, I’ve learned you do the work of the agent as well as providing the manuscript. Usually, this involves sending a cover letter describing your piece and work along with a manuscript. In the following website post, author Emma summarizes how she goes around submitting a manuscript to publishers.

https://emmaquay.com/blog/2018/7/3/how-i-present-a-picture-book-manuscript-to-publishers

Conclusion…

For this post, I had fun exploring both my relationship to sharing my writing as well as exploring new ways to take writing from the author to the world. I find it interesting the different ways that a book can be published, even within the world of traditional publishing (publisher type, additional support team, and the necessary parts needed to submit). It gives me even more respect for authors and all the work it took to get their pieces onto my shelf!

Inquiry #4: Who’s Publishing?

For this inquiry post, I wanted to explore the world of traditional publishers—how do books get from authors to the shelves in books? Before this inquiry exploration, I had not taken much time to consider the publishing companies. Of course, after looking at the spines on my bookshelf enough, I had become familiar with some names: Penguin, DAW, Vintage Canada, Harper Perennial to name a few.

Photo by Brett Jordan on Unsplash

As I became more interested in books during my undergrad, I noticed certain publishers’ names coming time and time again. From this, I learned that certain publishers focus on certain genres, book lengths, ages, or just general ~vibes~. For example, DAW focuses on fantasy and sci-fi and Greystone focuses on environmental and nature texts (with a separate section, Greystone Kids, for children’s books). Invisible Publishing is a company I actually found through their booth at a book fair—and indie, not-for-profit Canadian publishing company. This was the publisher that made me note who was publishing books, as their name came up time and time again from hearing about interesting new Canadian reads. In particular, they are the publisher for one of my new favourite authors, Sydney Hegele.

For this post, I wanted to explore how to find Canadian publishers, and how to find if they are accepting un-agented submissions (submissions from authors who do not have a literary agent). This question led me to the Canadian Authors Association website, which has a list of Canadian publishing companies.

The CAA website’s “Publishers” page.

While this provides a list of Canadian publishers, I wanted to specifically explore those aimed at Children’s Literature—who are publishers that we will see in our school’s libraries and our classroom shelves? Below are some Canadian publishers that are currently accepting submissions.

House of Anansi: houseofanansi.com/

  • Groundwood Books is the branch of House of Anansi focused on children’s literature.
  • Canada’s leading independent publisher.
  • Founded in 1967.

Arsenal Pulp Press: arsenalpulp.com/

  • 5-time finalist for the Canadian Booksellers Association’s “Small Press Publisher of the Year” (2004, 2008, 2010, 2012, 2014).
  • 2-time winner of the Association of Book Publishers of British Columbia’s “Jim Douglas Publisher of the Year Award” (2007, 2020).
  • Based in Vancouver.

Second Story Press: secondstorypress.ca/

  • Focuses on feminist, inclusive, and empowering texts and stories.
  • Includes fiction and nonfiction for all ages.
  • Founded in 1988.

Annick Press: www.annickpress.com/

  • Recognized as an innovative publisher for both children and adults.
  • Based in Toronto.
  • Founded in 1975.

To end this post, I wanted to share how to use a publishing company’s website to discover whether or not they are accepting submissions. To do this, I wanted to use the Zoom screen share and recording format. Enjoy!

Inquiry #3: Rewarding (and Awarding) Reads

In my dive into the publishing industry, I wanted to take a quick sidestep to focus on children’s literature awards—namely, what are some of the recognitions out there for children’s literature? What are some awards or book lists that involve the reading demographic, children, in their voting?

My older nephew participates in a school club called the “Battle of the Books.” Through this, he is part of a team on his school that competes against other schools in his district in a Jeopardy-style book competition. The students all read a list of books, then compete in teams to answer trivia and analysis questions. The year I went to see him compete, they had all read the nominees for that year’s Red Cedar Book award. A link to the school district’s page talking about the competition is below:

https://www.sd44.ca/pages/newsitem.aspx?ItemID=1231&ListID=d00680b1-9ba1-4668-9328-d82dd27dacd4&TemplateID=Announcement_Item#/=

The Red Cedar Book Award (The Award), brought to you by British Columbia’s Young Readers’ Choice Awards Society (YRCABC), aims to encourage students in grades 4-7 to read more, to create an awareness of Canadian books and authors, and to develop a reader’s ability to judge published works. The Award adheres to two core principles – being child-centered and promoting Canadian books written for kids. The Award also values and supports Intellectual Freedom, Literacy, Diversity, Inclusiveness, Integrity, Community, and Sustainability.

From: www.redcedaraward.ca

At the end of the competition, the participants in the Battle of the Books voted on which book the district would cast a vote for in the award. I thought this was such a unique and fun way to get students engaged in reading, exploring new Canadian literature, and practicing their analysis and comprehension abilities. Seeing this made me wonder what other community-centred book lists were out there. A similar program is the Forest of Reading, as introduced in the video below:

Over the past few years, I have developed a love for Canadian literature as a genre. I think it is so interesting seeing the explorations of contemporary Canadian identity through writing—maybe part to one of my favourite undergrad courses, “Contemporary Canadian Fiction.”

I find these community-centred book lists and awards, like those in the Forest of Reading and the Red Cedar Award, to be really fun ways to get students engaged in their own backyard and see what’s being written in the spaces around them. In addition, many of these texts explore the history of the land we now know as Canada and its history—exploring themes of Indigeneity, belonging, and the historic (and current) injustices faced by many peoples. Making the reading even more meaningful by connecting to the land and communities we see every day. Promoting literature that explores these topics in engaging and meaningful ways is such an important endeavour. Book lists and awards like these provide educators, such as myself in the future, with a snapshot of what is being written in the here and now. Perhaps even giving inspiration into (possibly cross-curricular) novel study topics.

While not directly about publishing, I wanted to spend this inquiry post exploring a little bit about the “why” of publishing and the “after” process of a book’s reception. To continue on the theme of Canadian literature, my next inquiry posts will dive specifically into the Canadian publishers: what are the resources in our backyard?

Until next time, I’ll be meandering through the forest that is the Forest of Reading lists to get inspiration for my own future classroom library!

Reflection #4 — Videos and the Like

For this reflection post, I wanted to think back on the guest lecture about iMovie. My experience in iMovie started very young with my middle-school-self’s discovery of the Movie Trailer feature on my older sister’s Macbook Air. Since then, I have loved toying around with iMovie to make compilations of little videos, memories, and school projects (whenever they were offered). However, despite my self-taught experience, I enjoyed the time in class to test out different features; in particular, I had never tried the green/blue screen effect before! I had fun putting the clips and audios together as per the instructions, then playing around to see what I could create.

The result of my fiddling in class: a Jaws-esque underwater chicken adventure!

Video-Making in Classrooms

Part of my last year of high school and first first year of university took place during quarantine in 2020. This meant that I saw first-hand the recent rise of online teaching. One thing I appreciated was how one of my first-year professors would post online recording lectures for us to watch, then we would use the synchronous online lecture time to discuss questions and work through problems following the introduction videos. I remember that this felt more manageable, as I could engage with the video content on my own time, then spend time in lecture asking questions rather than solely learning new content. As someone in an education role now, I can see how having a backlog of recorded video lectures on frequently taught topics could leave me more space to explore and deepen curriculum. In addition, if a student misses content, having recorded lectures allows them to catch-up when they are able.

Another format of video-making in classrooms is the student-made piece. I remember, especially in high school, having assignments focused on video creation or those with the option to make a video. I always had a fun time working on these and chose them if the option was presented. I feel that, as a student, video projects made me think of not only what the content was, but what was the best way possible to share or present it. One of my favourite projects was in Social Studies 9, where we were asked to create a YouTube-styled video about the Industrial Revolution. This made the content engaging, as my group partner and I came up with fun ways to keep the content engaging. The result was a skit, historical show, “Crash Course” combination that we had the best time filming. Since this video is quite long and contains more than just me, I won’t attach it to this post. Instead, I’ll attach a video from my Biology 10 class where we were instructed to make a “Portrait of a Protist.” For my project, I opted to create a stop-motion video, as I love stop motion and wanted to take my turn trying it out.

https://drive.google.com/file/d/18lkK90sc7JKhzS29isEFcI30B3nVlt5a/view?usp=sharing

I’m excited to explore more ways to incorporate video making into the classroom! Both from the teacher-centred lesson creation and the student-led project type.